GYMN-L Digest - 29 Oct 1995 to 30 Oct 1995 - Special
Issue
There are 16 messages totalling 522
lines in this issue.
Topics in this special issue:
1. 7-6-5 response
2. Worlds and some questions.
3. Olympic tickets for gymnasts'
families
4. 7-6-5 rule
5. Compulsories & NCAA
6. NCAA format
7. USA Elite Festival
8. Halloween Humor
9. WOMEN:International
Challenge
10. maltese/planche
(2)
11. Nov. IG answers some
questions! :)
12. Kim Z
(2)
13. Zmeskal's
Floor
14. Katie Teft
----------------------------------------------------------------------
Date: Sun, 29 Oct 1995 21:06:38
-0500
From: ***@VAXA.CIS.UWOSH.EDU
Subject:
Re: 7-6-5 response
Date sent: 29-OCT-1995 21:04:40
Actually,
Chris, I wasn't. Someone a few weeks back said that she hoped
the 7-6-5 rule didn't lead to an athlte
getting pulled on one event so
that three were guranteed a spot in finals. I think the person made a
copmment that it would be
unfortunate for that to happen to Kerri. What
happened
in Sabae seemed perfectly in line to me, because I
know that
Mary Lee Tracy is always careful with her athletes. That,
however, is
another matter. I wasn't referring to
what happened in Sabae, in any
case.
------------------------------
Date: Sun, 29 Oct 1995 23:11:45
-0500
From: ***@AOL.COM
Subject:
Re: Worlds and some questions.
People have been constantly complaining about Amanar,
but her
floor and choreography was three times better
than that Moceanu
creature.
If you really watch Moceanu, it is exactly the
same
pumpy-jumpy horrible Zmeskal
style. Was it choreographed by
the
same
person ?
Sould they be fired and get a new day job ? Yes
to
both
questions.>
This comment
is one of the samrtest comments of all times- I
personally
thought Zmeskal
was an ikay gymnast, just a consistent girl that was
in the
right place at the right time, sorta like Mary Lou.
Her cheoragraphy was
absolutely
horendous, and i don't know
how she got out onto the floor as a
mature 16 year
old girl, and shook her butt and waved to the crowd.
On another note,
isn't Geza Pozsar their cheoragrapher- why is he so famous
if
he is so bad?
------------------------------
Date: Mon, 30 Oct 1995 00:19:48
-0800
From: ***@CCO.CALTECH.EDU
Subject:
Olympic tickets for gymnasts' families
Does anyone know if there are
tickets reserved for the gymnasts' families?
Is it on a coutry-by-country
basis (ie. a certain number of tickets are
reserved for each country to distribute however they
want)?
It would be awful for a parents to be
unable to watch their children
compete in the
Olympics simply because they were unlucky in the lottery! As
well, at
the time of ticket sales, parents don't know whether
or
not their children are going to be competing.
How is this
handled? What about other
competitions?
--
Tamara
------------------------------
Date: Mon, 30 Oct 1995 03:50:36
-0500
From: ***@AOL.COM
Subject:
Re: 7-6-5 rule
>The 7-6-5 rule has been in effect now for, what, three years.
Considering
that the Dortmund Worlds in November 1994 was the first team
competition since the '92 Olympics (and thus the first using
the new team
rules) you can hardly say that it's
been "in effect" for "three years." Not
even close!
In early '94 (or possibly late '93),
before the rule was ever even used in a
World event, the decision was made
by the FIG to change the numbers to 6-5-4
after
'96. In all, the 7-6-5 rule will be used in *three* whole competitions
(Dortmund,
Sabae, and Atlanta) before it's int'l demise ... at
least, that
is, until they change their minds once
again.
>in order to assure that the
"right" three athletes made
>all-around
finals, athletes might be pulled from an event. I think
>the case in point was Kerri Strug
being pulled.
What on Earth are you talking about?!?
In Sabae, Kerri Strug
competed in all
8 compulsory and optional events during
the team competition. *That* is what
determines
qualification for the All-Around (which she *was* most definately
in, BTW).
Kerri was pulled out of an *event final*
(vault) which has absolutely
*nothing* to do with
the 7-6-5 rule what-so-ever.
> ... when an
athlete had mistakes and was not in the top three on her >team,
we would see an "injury" crop up. Now, it appears
that will be a >"passe" way
of dealing with things.
Huh? Jennifer, I'm sure
you'll take offense at this, but I have to say that
you
should *really* look up the defination of "passe" (I won't even ask why
it's
in quotes!) since it makes absolutely *no* sense at
all in this context.
In fact, it turns your entire sentance into utter nonsense. I can't even
being to imagine
what you might have thought it meant, and therefore guess
what your point was (which is kind of moot seeing as how
almost all your
other "facts" were erronous).
Since I'm not at all sure what Jennifer
was getting at, here's a quick sum up
of some of
the arguments that have been made for/against 7-6-5 ...
First off, basically,
it's the coaches that determine the team's line-up (as
always)
and it *has* caused a lot of friction, but that's really nothing new
- coaches fought about who went where, long before 7-6-5.
The
USA, which has more coaches than they know what to do with, is a rather
special case. For them, who competes what and where is a
matter of vote by
all the indviduals
coaches, and whoever is out-voted is bound to be unhappy.
In a nationalized
system, (like Russia, Romania, France, Australia, etc.) the
one head coach is more likely to have the final word and can
choose to listen
to others advice or not.
The
main effect of the 7-6-5 rule is that now making up
the team line-up
*directly* effects individuals
performances. Before, being put up early could
severly hurt your chances of making finals but it
couldn't out and out kill
them. In short, if you
don't do the event you can't make finals. End of
story.
Another
issue is that now, coaches thinking of a team medal might find it
prudent to pass over an athlete with an exciting, but risky,
routine in favor
of a more stock, and therefore
safer, set because the *team* total can't
afford a
miss. The logic being, that a guarenteed 9.45 is
better than a
possible 8.8.
A good
example from Sabae is Teresa Kulikowski
(USA), who does a cool Jaeger
with a half on bars,
being voted out of the UB line-up because of past
inconsistancy. If she had performed the skill
correctly her score could have
been big *and* she
would have been able to get the skill named after her. If
she had missed the team could have been forced into counting a low score.
It's a definate trade-off. How would you vote if you were the
coach?
And what would you do if, as an athlete, you *knew* you were
not going to get
a chance to perform at all with a
risky element in your routine. Why then
would you
even bother to try new things? If people stop expirimenting
and
taking chances in hopes of "making the
cut," the sport will stagnate.
Another controversial point is
that the coaches of a strong team can now, in
effect,
virtually guarentee which of their athletes is going
to make the AA
simply by making sure they only
field 3 athletes in all 12, or 8,
compulsories or optionals. There's nothing inherently wrong or sinister
in
this, but it it can
be aruged that a coaches "favorite" may get
preferential
treatment.
In the NCAA,
where this system is also used, they have gymnasts who are only
specialists *and* those that are All-Arounders.
It's usually not much of a
controversy who
competes on all the events. This is
*not* true for 99.9% of
the world athletes. Those
gymnasts are almost all, All-Around contenders so
some
of them are bound to lose out.
Factoring compulsories into the mix
adds yet another dimenson that the NCAA
has never had to deal with. If a gymnast has weak compulsory
excercises but
strong optionals do you compete them in compos or not? Keeping
them out
eliminates their chances for AA and
finals (which are both optional only
comps) but
using them when they're not the best could hurt the team score.
A
positive argument is that 7-6-5 makes gymnastics more of a "team"
sport.
Instead of simply a handful of indivduals
who happened to have been born in
the same
country, performing indivdual AAs and then simply
adding the scores
together to get a total, there
is now an element of strategy involved and,
some
would say, that gives the team title more value.
- Susan
------------------------------
Date: Mon, 30 Oct 1995 08:48:18
-0400
From: ***@PHARM.MED.UPENN.EDU
Subject:
Compulsories & NCAA
Susan wrote ....
Factoring
compulsories into the mix adds yet another dimenson
that the NCAA
has never had to deal with. If a
gymnast has weak compulsory excercises but
strong optionals do you compete
them in compos or not? Keeping them out
eliminates
their chances for AA and finals (which are both optional only
comps) but using them when they're not the best could hurt
the team score.
-------------------
One small comment on the NCAA
-- they did do compulsories, at least the men
did,
through 1992, dropping them in 1993.
I thought they should have kept
them
through '96, but well, no.
Mayland
------------------------------
Date: Mon, 30 Oct 1995 10:01:01
-0600
From: ***@VAXA.CIS.UWOSH.EDU
Subject:
NCAA format
Date sent:
30-OCT-1995 09:56:31
Susan brought up an interesting point. The
NCAA's use a variation of
the 7-6-5 format, except
they don't limit it to seven athletes. They
allow
specialists, with (judging by what I've seen of roster, but I
cannot be sure) no limit on the number of competing
athletes. Would this
ever be allowed at a world
level, or elite level? It would allow for
athletes
like Mark Sohn or Paul O'neill
to compete, but still allow
for all-arounders. However, I think this would end up giving more
ad-
vantage to countries that can afford larger
delegations, and possibly
work against countries
like the former Soviet Union republics. I don't
know,
is this a possibility? Just curious...I like how the NCAA handles
things in this regard. You see a larger variety of
performers with more
emphasis on a team
format.
------------------------------
Date: Sat, 28 Oct 1995 22:38:55
PDT
From: ***@LSS.CO.ZA
Subject:
USA Elite Festival
What is
the USA Elite Festival? Could someone send me results?
Thanx,
Helen.
------------------------------
Date: Mon, 30 Oct 1995 13:24:22
-0500
From: ***@ISSCAD.COM
Subject:
Halloween Humor
Late Saturday night, while channel surfing I came
across the
movie
"Love at First Bite" with George Hamilton playing Count Dracula.
Okay, I'll bite (pun intended). What does
this have to with Gymnastics?
Well it seems the good count was being
forced out of his Transylvanian
Castle by the Romanian goverment. The goverment
was planning to turn his
ancestral home into a gymnastics training center, complete
with,
"parallel
bars, trampoline and Nadia Comaneci!
------------------------------
Date: Sat, 28 Oct 1995 22:45:05
PDT
From: ***@LSS.CO.ZA
Subject:
WOMEN:International Challenge
Hi. Following are the results and
accounts of some routines from the Boland
Bank International Challenge
held in Cape Town, South Africa recently.
VAULT:
Oksana Chusovitina
- half-on, half-off front layout (like a Hristakieva
form
a half-on) with a step on landing - 9.600
2nd vault - same stuck landing - 9.750
Anamaria Bican - double twisting Yurchenko. Very low landing and three
steps forward - 9.250
same vault. Much higher.
Stuck - 9.750
Nadine de Kock - handspring front. Stuck -
9.375
handspring front half. Stuck - 9.400
Raegan Tomacek - same vault as Chusovitina.
Hop sideways - 9.575
same vault. Higher. Hop sideways - 9.600
BARS:
Chusovitina - hecht;
2 consecutive giant hop fulls, blind change,
eagle
grip giants; full out dismount-stuck -
9.825
Bican
- fall
on Jaeger; giant full, Tkatchev, double
layout-small
step - 9.175
De Kock
- uprise, blind change, Jaeger-fall; low doble layout
dismount-hands down - 8.200
Tomacek
- giant
full, gienger; giant full, blind change, double
front dismount-tiny step - 9.600
BEAM:
Chusovitina - high punch front mount; punch
front on beam; flic-layout
slight bend of legs; big wobble on leaps;
double back
stuck - 9.450
Bican
- flic-flic-layout
(legs together) fall. flic-layout;
flic-flic-double back stuck - 9.10
De Kock
- Yurchenko layout mount-perfect; switch leap 1/4 fall.
flic-layout-flic (small wobble); double
back-hands down
on mat - 8.225
Tomacek
- punch
front mount; flic-layout-flic - nice; punch front
(tiny wobble); flic 1/4 to handstand; running
front 1&1/2
twist dismount - 9.55
FLOOR:
Bican
- tuck
full-in -stuck; nice jumps; punch front, handspring,
front 1&1/2 twist immediate punch
front-great!; triple
twist-all the way around - 9.850
De Kock
- triple
twist-all the way around; handspring, front full,
punch front; double pike; nice dance - 9.625 (a
little
high)
Tomacek
- handsping, double twisting front layout-excellent!;
nice
jumps; pike front step-out, 1&1/2 twisting
front; triple
twist-step out of bounds; nice dramatic, jazzy
dance -
9,55
Chusovitina - high double layout; straight away
into high full-in
stuck! high jumps; double twist
immediate punch front;
handspring, full twisting front, punch front;
excellent
Shushonova to end. Amazing routine - 9.925
Highest mark on floor ever achieved in South Africa!
1. Oksana Chusovitina UZB 38,950
2. Raegen Tomacek
USA
38,300
3. Anamaria Bican
ROM
37,875
4. Nadine De Kock
RSA
35,450
5. Andrea
Leman
GBR 34,875
6. Caroline Demetriou RSA 34,375
7. Zandre Bruwer
RSA
33,000
Helen.
------------------------------
Date:
Mon, 30 Oct 1995
14:13:53 -0500
From:
***@EXPERT.CC.PURDUE.EDU
Subject: maltese/planche
I was watching my tape of the Men's Team
Comp. (Worlds) last night
and noticed a couple of
possible mistakes by the commentators.
I am
pretty knowledgible
with women's gymnastics but not too much with men's.
Correct me if I am
wrong; a planche is a "handstand" with a 45 degree
angle of the body, a maltese is where the body is held off of the ground
parrallel to the floor? Bart Connor made a few errors when a
"maltese"
was
being performed but he commentated that it was a planche. Most of
the
moves were maltese to pressed handstand (floor). I am sure
about
what a planche is, at least in women's gymn, but am I also correct about
the
maltese? Thanks.
Aaron
------------------------------
Date: Mon, 30 Oct 1995 14:56:24
-0500
From: ***@PERFIT.ZKO.DEC.COM
Subject:
Re: maltese/planche
The
difference between a planche and a maltese is the angle of the arms
with
respect to the floor. For both of these moves, the body
*should* be
parallel to the floor. What the women are doing on beam are fake planches.
The
only woman I've seen do a correct planche was Natalia Shaposhnikova,
doing her
staddle planche on beam.
That was beautiful. The
whole routine was beautiful.
For a planche,
the gymnast leans slightly forward in the shoulders and raises
or lowers the body to parallel, sort of like:
O---o-----
\
\
The planche is seen either staddled or with legs together.
For a maltese, the gymnast's entire body
is practically in one plane.
His/her
body is lower, with the angle the
arms make to the ground almost zero, like:
O---o-----
`---
Kind
of a cruddy picture :)
Anyways, the maltese
is a lot harder to do.
I believe that Bart was correct in his
analysis. I've never seen a maltese
press
to handstand on floor; it was most likely a planche. Also, it was most
likely
done *correctly*.
Steve
------------------------------
Date: Mon, 30 Oct 1995 15:56:14
-0600
From: ***@VAXA.CIS.UWOSH.EDU
Subject:
Nov. IG answers some questions! :)
Date sent: 30-OCT-1995 15:53:43
Hallo,
all. :) Just got the November IG on loan from a friend, and as
I was
leafing through it, I found the answers to two questions I don;t
believe we ever got
answered, well, completely, anyhow.
1) According to Dwight Normille, Katie Teft was doing a Yurchenko
vault when her coach
thought she was doing a timer. That apparently
led
to the accident.
2) If anyone is still wondering what the fish jump
looks like, there is
an absolutely GORGEOUS
picture of Theresa Kulikowski doing one on page
11 of the magazine. Well, I'm pretty sure it's a fish jump
anyhow, and
the picture is great.
------------------------------
Date: Mon, 30 Oct 1995 14:41:00
PST
From: ***@MVS.OAC.UCLA.EDU
Subject:
Kim Z
As far as her comeback, Kim wanted to compete at nationals,
but
Bela was afraid she wouldn't win (i.e. make
him look bad) and
wouldn't let her...
Lets
all send her a mind of her own for her birthday...
-PJ
------------------------------
Date: Mon, 30 Oct 1995 18:27:30
EDT
From: ***@MARISTB.MARIST.EDU
Subject:
Zmeskal's Floor
Hello? Does anyone remember ALL of Kim Zmeskal's floor routines?
Why the sudden attack on her
artistry?
While there was that one terrible one, what about the first
one
that we saw, at the Olympic Festival where Bela first introduced
her and
the rest of his "New Generation"? What about the other good
one, (not the one that she ended with that rediculous hitch-hiking
pose
on the floor, the other one). Those
both were very well put
together.
Pozsar has definitly come up with
some horrible routines, (remember
Brandy in the Bela
days?) but in his defense he has also done
some beautiful work.
Laura
------------------------------
Date: Mon, 30 Oct 1995 18:50:31
EDT
From: ***@MARISTB.MARIST.EDU
Subject:
Katie Teft
As a newcomer, could someone
quickly tell me what happened to
Katie Teft? All I know is that IG said it was a
timer mishap.
Where? When? What happened? Is she OK?
Thanks..
Laura
------------------------------
Date: Mon, 30 Oct 1995 18:12:45
-0600
From: ***@MAIL.COIN.MISSOURI.EDU
Subject:
Re: Kim Z
Hello, fellow Gymners...
On
Mon, 30 Oct 1995, Brett wrote:
> As far as her comeback, Kim wanted
to compete at nationals, but
> Bela was afraid
she wouldn't win (i.e. make him look bad) and
> wouldn't
let her...
>
I am not so sure about this story's plausibility...perhaps fellow
gymners have more info. IMHO, if
Kim wanted to compete, she would have
done so. She
is a very strong-willed woman, and I don't think that she
would have allowed this.
> Lets all send her a
mind of her own for her birthday...
>
> -PJ
>
Let's not "send
her a mind for her birthday"...let's send her the
encouragement
she deserves in her quest. I hope that she goes all the
way
to making the Olympic team. She is definitely gymnast enough...
--Michael
:)
------------------------------
End of GYMN-L Digest - 29
Oct 1995 to 30 Oct 1995 - Special issue
*****************************************************************